Nachrichten und Veranstaltungen

Bhutaradhane is a unique tradition of spirit-worship patronized mainly by the Tulu-speaking Hindu community located along the west coast within the southern state of Karnataka in India. Various kinds of spirits (Bhutas) worship are practiced in this tradition, which is characterized by inextricable linkages between its rituality, visuality and materiality. In addition to being consecrated and venerated as sacred objects in Bhuta rituals, the Bhuta masks and sculptures have made their way into the museum spaces where they are exhibited as artefacts, valuable remnants and emblems of cultural heritage. This talk argue that museums as cultural intermediaries are not just repositories of objects but are political institutions that function as sites for construction of historical narratives.

The temples built during the period of the Hoysalas, a dynasty that ruled large parts of southern India from the 11th – 14th centuries, are known for their exceptionally rich, profuse and intricate figural carving. Two of the earliest such temples are the Chennakeshava temple in Belur and the Hoysalesvara temple in Halebidu, built in the early years of the 12th century. Both these temples underwent several modifications within a century of being constructed, including the additions of decorative stone screens, lintels and brackets. Some of these modifications to the temples were documented in lithic inscriptions. A close examination of discontinuities in the temples’ decorative schemes and sculptures points to several other likely architectural alterations and modifications in both these temples. This talk explores some of these additions to the two temples and the possible reasons that may have prompted them.